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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク New York Counterpoint ： ウィキペディア英語版 New York Counterpoint ''New York Counterpoint for amplified clarinet and tape, or 11 clarinets and bass clarinet'' is a 1985 minimalist composition written by American composer Steve Reich. The piece, intended to capture the throbbing vibrancy of Manhattan, is notable for its ability to imitate electronic sounds through acoustic instrumentation. ==History== The piece was commissioned in 1984 by clarinetist Richard Stoltzman for nine B-flat clarinets and three bass clarinets. This was the second in his "counterpoint" series, preceded by ''Vermont Counterpoint'' (1982) for flutes, and followed by ''Electric Counterpoint'' (1987), for electric guitars. Each of these works are scored for one live performer who plays against up to a dozen recordings of the same instrument. The canonic interplay in the composition creates multiple layers of sound, akin to Reich's earlier phase pieces.〔(【引用サイトリンク】url=http://www.edexcel.com/migrationdocuments/GCE%20New%20GCE/Unit-6-12-Reich.pdf )〕 Out of the series, ''New York Counterpoint'' is considered the most rhythmically intricate and one of Reich's most well known works. The second movement of the piece was featured as a set work for Edexcel music A level between 2008 and 2016 〔()〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「New York Counterpoint」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.